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Work Tag: pottermore

The Original Forty

pottermore non fiction

Index ID: OG40PM — Publication date: August 15th, 2011

Two of my most prized possessions are a pair of small notebooks, which contain my very first scribblings about Harry Potter. Much of what is written in them was never used in the series, although it is startling to come across the odd line of dialogue that subsequently made it, verbatim, to publication.

In one of the books is a list of forty names of students in Harry’s year (including Harry, Ron and Hermione), all allocated houses, with small symbols beside each name depicting each boy or girl’s parentage.

While I imagined that there would be considerably more than forty students in each year at Hogwarts, I thought that it would be useful to know a proportion of Harry’s classmates, and to have names at my fingertips when action was taking place around the school.

As the stories evolved, I changed the parentage of some of the original forty. While some never appeared in the books at all, I always knew that they were there; some had surgery to their names after their first creation; a few emerged from the background to have their own secondary stories (Ernie Macmillan, Hannah Abbott, Justin Finch-Fletchley), and one, Neville Longbottom, developed into a very important character. It is very strange to look at the list in this tiny notebook now, slightly water-stained by some forgotten mishap, and covered in light pencil scribblings (undoubtedly the work of my then infant daughter, Jessica), and to think that while I was writing these names, and refining them, and sorting them into houses, I had no clue where they were going to go (or where they were going to take me).

Here, then, are the original forty:

  • Abbott, Hannah
  • Bones, Susan
  • Boot, Trevor
  • Brocklehurst, Mandy
  • Brown, Lavender
  • Bulstrode, Millicent
  • Corner, Michael
  • Cornfoot, Stephen
  • Crabbe, Vincent
  • Davis, Tracey
  • Entwhistle, Kevin
  • Finch-Fletchley, Justin
  • Finnigan, Seamus
  • Goldstein, Anthony
  • Goyle, Gregory
  • Granger, Hermione – inserted in pencil, see crossed-out entry, below
  • Greengrass, Queenie
  • Hopkins, Wayne
  • Jones, Megan
  • Li, Sue
  • Longbottom, Neville – inserted in ink, see crossed out entry, below
  • MacDougal, Isobel [original name Katrina crossed out]
  • Macmillan, Ernest
  • Malfoy, Draco – inserted in ink, see crossed-out entry, below
  • Malone, Roger
  • Moon, Lily [first intimation of Luna Lovegood, this name was never used, but gave me an idea for a fey, dreamy girl. She was named before I decided on Harry’s mother’s name.]
  • Nott, Theodore
  • Parkinson, Pansy
  • Patel, Madhari
  • Patel, Mati
  • Perks, Sally-Anne
  • Potter, Harry
  • [Puckle, Hermione – crossed out, name changed and reinserted, above]
  • [Puff, Neville – crossed out, name changed and reinserted, above]
  • [Quirrel], crossed out, subsequently used for teacher]
  • Rivers, Oliver
  • Roper, Sophie
  • [Sidebottom, Neville crossed out]
  • Smith, Sally [Georgina crossed out]
  • [Spungen, changed to Spinks, Draco, all crossed out, re-inserted above]
  • Thomas, Gary
  • Turpin, Lisa
  • Weasley, Ronald
  • Zabini, Blaise

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Hogwarts School Subjects

non fiction pottermore

Index ID: HSSPM — Publication date: August 15th, 2011

New from J.K. Rowling

All first-years at Hogwarts must take seven subjects: Transfiguration, Charms, Potions, History of Magic, Defence Against the Dark Arts, Astronomy and Herbology. Flying lessons (on broomsticks) are also compulsory.

At the end of their second year at Hogwarts, students are required to choose a minimum of two more subjects from the following list: Arithmancy, Muggle Studies, Divination, Study of Ancient Runes and Care of Magical Creatures.

Very specialised subjects such as Alchemy are sometimes offered in the final two years, if there is sufficient demand.

J.K. Rowling’s thoughts

A slightly different list of school subjects appears in my earliest notes. Herbology is called ‘Herbalism’, Divination is compulsory from the first year, as are Alchemy and a subject called simply ‘Beasts’, whereas Transfiguration is called ‘Transfiguration/Metamorphosis’.

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The Sorting Hat

pottermore

Index ID: SHATPM — Publication date: August 15th, 2011

New from J.K. Rowling

The famous Hogwarts Sorting Hat gives an account of its own genesis in a series of songs sung at the beginning of each school year. Legend has it that the hat once belonged to one of the four founders, Godric Gryffindor, and that it was jointly enchanted by all four founders to ensure that students would be sorted into their eponymous houses, which would be selected according to each founder’s particular preferences in students. “The Sorting Hat is one of the cleverest enchanted objects most witches and wizards will ever meet. It literally contains the intelligence of the four founders, can speak (through a rip near its brim) and is skilled at Legilimency, which enables it to look into the wearer’s head and divine his or her capabilities or mood. It can even respond to the thoughts of the wearer.

The Sorting Hat is notorious for refusing to admit it has made a mistake in its sorting of a student. On those occasions when Slytherins behave altruistically or selflessly, when Ravenclaws flunk all their exams, when Hufflepuffs prove lazy yet academically gifted and when Gryffindors exhibit cowardice, the Hat steadfastly backs its original decision. On balance, however, the Hat has made remarkably few errors of judgement over the many centuries it has been at work.

J.K. Rowling’s thoughts

The Sorting Hat does not appear in my earliest plans for Hogwarts. I debated several different methods for sorting students (because I knew from early on that there would be four houses, all with very different qualities). The first was an elaborate, Heath Robinson-ish machine that did all kinds of magical things before reaching a decision, but I did not like it: it felt at once too complicated, and too easy. Next I placed four statues of the four founders in the Entrance Hall, which came alive and selected students from the throng in front of them while the school watched. This was better, but still not quite right. Finally, I wrote a list of the ways in which people can be chosen: eeny meeny miny mo, short straws, chosen by team captains, names out of a hat – names out of a talking hat – putting on a hat – the Sorting Hat.

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Hatstall

pottermore

Index ID: HATPM — Publication date: August 15th, 2011

An archaic Hogwarts term for any new student whose Sorting takes longer than five minutes. This is an exceptionally long time for the Sorting Hat to deliberate, and occurs rarely, perhaps once every fifty years.

Of Harry Potter’s contemporaries, Hermione Granger and Neville Longbottom came closest to being Hatstalls. The Sorting Hat spent nearly four minutes trying to decide whether it should place Hermione in Ravenclaw or Gryffindor. In Neville’s case, the Hat was determined to place him in Gryffindor: Neville, intimidated by that house’s reputation for bravery, requested a placing in Hufflepuff. Their silent wrangling resulted in triumph for the Hat.

The only true Hatstalls known personally to Harry Potter were Minerva McGonagall and Peter Pettigrew. The former caused the hat to agonise for five and a half minutes as to whether Minerva ought to go to Ravenclaw or Gryffindor; the latter was placed in Gryffindor after a long deliberation between that house and Slytherin. The Sorting Hat, which is infamously stubborn, still refuses to accept that its decision in the case of the latter may have been erroneous, citing the manner in which Pettigrew died as (dubious) evidence.

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Professor McGonagall

non fiction pottermore

Index ID: MMGPM — Publication date: August 15th, 2011

Trait Description
Birthday 4th October
Wand Fir and dragon heartstring, nine and a half inches, stiff
Hogwarts House Gryffindor
Special Abilities Animagus (distinctively marked silver tabby cat)
Parentage Muggle father (Robert McGonagall), witch mother (Isobel Ross)
Family Husband Elphinstone Urquhart, deceased. No children. Brothers Malcolm and Robert Jr.
Hobbies Transfiguration Today, watching Quidditch, supporting the Montrose Magpies

Childhood

Minerva McGonagall was the first child, and only daughter, of a Scottish Presbyterian minister and a Hogwarts-educated witch. She grew up in the Highlands of Scotland in the early twentieth century, and only gradually became aware that there was something strange, both about her own abilities, and her parents’ marriage.

Minerva’s father, the Reverend Robert McGonagall, had become captivated by the high-spirited Isobel Ross, who lived in the same village. Like his neighbours, Robert believed that Isobel attended a secret ladies’ boarding school in England. In fact, when Isobel vanished from her home for months at a time, it was to Hogwarts School of Witchcraft and Wizardry that she went.

Aware that her parents (a witch and wizard) would frown on a connection with the serious young Muggle, Isobel kept their burgeoning relationship a secret. By the time she was eighteen, she had fallen in love with Robert. Unfortunately, she had not found the courage to tell him what she was.

The couple eloped, to the fury of both sets of parents. Now estranged from her family, Isobel could not bring herself to mar the bliss of the honeymoon by telling her smitten new husband that she had graduated top of her class in Charms at Hogwarts, nor that she had been Captain of the school Quidditch team. Isobel and Robert moved into a manse (minister’s house) on the outskirts of Caithness, where the beautiful Isobel proved surprisingly adept at making the most of the minister’s tiny salary.

The birth of the young couple’s first child, Minerva, proved both a joy and a crisis. Missing her family, and the magical community she had given up for love, Isobel insisted on naming her newborn daughter after her own grandmother, an immensely talented witch. The outlandish name raised eyebrows in the community in which she lived, and the Reverend Robert MeGonagall found it difficult to explain his wife’s choice to his parishioners. Furthermore, he was alarmed by his wife’s moodiness. Friends assured him that women were often emotional after the birth of a baby, and that Isobel would soon be herself again.

Isobel, however, became more and more withdrawn, often secluding herself with Minerva for days at a time. Isobel later told her daughter that she had displayed small, but unmistakable, signs of magic from her earliest hours. Toys that had been left on upper shelves were found in her cot. The family cat appeared to do her bidding before she could talk. Her father’s bagpipes were occasionally heard to play themselves from distant rooms, a phenomenon that made the infant Minerva chuckle.

Isobel was torn between pride and fear. She knew that she must confess the truth to Robert before he witnessed something that would alarm him. At last, in response to Robert’s patient questioning, Isobel burst into tears, retrieved her wand from the locked box under her bed and showed him what she was.

Although Minerva was too young to remember that night, its aftermath left her with a bitter understanding of the complications of growing up with magic in a Muggle world. Although Robert McGonagall loved his wife no less upon discovering that she was a witch, he was profoundly shocked by her revelation, and by the fact that she had kept such a secret from him for so long. What was more, he, who prided himself on being an upright honest man, was now drawn into a life of secrecy that was quite foreign to his nature. Isobel explained, through her sobs, that she (and their daughter) were bound by the International Statute of Secrecy, and that they must conceal the truth about themselves, or face the fury of the Ministry of Magic. Robert also quailed at the thought of how the locals – in the main, an austere, straight-laced and conventional breed – would feel about having a witch as their Minister’s wife.

Love endured, but trust had been broken between her parents, and Minerva, a clever and observant child, saw this with sadness. Two more children, both sons, were born to the McGonagalls, and both, in due course, revealed magical ability. Minerva helped her mother explain to Malcolm and Robert Junior that they must not flaunt their magic, and aided her mother in concealing from their father the accidents and embarrassments their magic sometimes caused.

Minerva was very close to her Muggle father, whom in temperament she resembled more than her mother. She saw with pain how much he struggled with the family’s strange situation. She sensed too, how much of a strain it was on her mother to fit in with the all-Muggle village, and how much she missed the freedom of being with her own kind, and of not exercising her considerable talents. Minerva never forgot how much her mother cried, when the letter of admittance into Hogwarts School of Witchcraft and Wizardry arrived on Minerva’s eleventh birthday; she knew that Isobel was sobbing, not only out of pride, but also of envy.

School Career

As is often the case where the young witch or wizard comes from a family who has struggled with its magical identity, Hogwarts was, for Minerva McGonagall, a place of joyful release and freedom.

Minerva drew unusual attention to herself on the very first evening, when she was revealed to be a Hatstall. After five and a half minutes, the Sorting Hat, which had been vacillating between the houses of Ravenclaw and Gryffindor, placed Minerva in the latter (in later years, this circumstance was a subject of gentle humour between Minerva and her colleague Filius Flitwick, over whom the Sorting Hat suffered the same confusion, but reached the opposite conclusion. The two Heads of house were amused to think that they might, but for those crucial moments in their youths, have exchanged positions).

Minerva was quickly recognised as the most outstanding student of her year, with a particular talent for Transfiguration, As she progressed through the school, she demonstrated that she had inherited both her mother’s talents and her father’s cast-iron moral sense. Minerva’s school career overlapped by two years with that by Pomona Sprout, later the Head of Hufflepuff House, and the two women enjoyed an excellent relationship both then, and in later years.

By the end of her education at Hogwarts, Minerva McGonagall had achieved an impressive record: top grades in O.W.L.s and N.E.W.T.s, Prefect, Head Girl, and winner of the Transfiguration Today Most Promising Newcomer award. Under the guidance of her inspirational Transfiguration teacher, Albus Dumbledore, she had managed to become an Animagus; her animal form, with its distinctive markings (tabby cat, square spectacles markings around the eyes) were duly logged into the Ministry of Magic’s Animagus Registry. Minerva was also, like her mother, a gifted Quidditch player although a nasty fall in her final year (a foul during the Gryffindor versus Slytherin game which would decide the Cup winner) left her with a concussion, several broken ribs and a lifelong desire to see Slytherin crushed on the Quidditch pitch. Though she gave up Quidditch on leaving Hogwarts, the innately competitive Professor McGonagall later took a keen interest in the fortunes of her house team, and retained a keen eye for Quidditch talent.

Early Heartbreak

Upon graduation from Hogwarts, Minerva returned to the manse to enjoy one last summer with her family before setting out for London, where she had been offered a position at the Ministry of Magic (Department of Magical Law Enforcement). These months were to prove some of the most difficult of Minerva’s life, for it was then, aged only eighteen, that she proved herself truly her mother’s daughter, by falling head-over-heels in love with a Muggle boy.

It was the first and only time in Minerva McGonagall’s life that she might have been said to lose her head. Dougal McGregor was the handsome, clever and funny son of a local farmer. Though less beautiful than Isobel, Minerva was clever and witty. Dougal and Minerva shared a sense of humour, argued fiercely, and suspected mysterious depths in each other. Before either of them knew it, Dougal was on one knee in a ploughed field, proposing, and Minerva was accepting him.

She went home, intending to tell her parents of her engagement, yet found herself unable to do so. All that night she lay awake, thinking about her future. Dougal did not know what she, Minerva, truly was, any more than her father had known the truth about Isobel before they had married. Minerva had witnessed at close quarters the kind of marriage she might have if she wed Dougal. It would be the end of all her ambitions; it would mean a wand locked away, and children taught to lie, perhaps even to their own father. She did not fool herself that Dougal McGregor would accompany her to London, while she went to work every day at the Ministry. He was looking forward to inheriting his father’s farm.

Early next morning, Minerva slipped from her parents’ house and went to tell Dougal that she had changed her mind, and could not marry him. Mindful of the fact that if she broke the International Statute of Secrecy she would lose the job at the Ministry for which she was giving him up, she could give him no good reason for her change of heart. She left him devastated, and set out for London three days later.

Ministry Career

Though undoubtedly her feelings for the Ministry of Magic were coloured by the fact that she had recently suffered an emotional crisis, Minerva McGonagall did not much enjoy her new home and workplace. Some of her co-workers had an engrained anti-Muggle bias which, given her adoration of her Muggle father, and her continuing love for Dougal McGregor, she deplored. Though a most efficient and gifted employee, and fond of her much older boss, Elphinstone Urquart, Minerva was unhappy in London, and found that she missed Scotland. Finally, after two years at the Ministry, she was offered a prestigious promotion, yet found herself turning it down. She sent an owl to Hogwarts, asking whether she might be considered for a teaching post. The owl returned within hours, offering her a job in the Transfiguration department, under Head of Department, Albus Dumbledore.

Friendship with Albus Dumbledore

The school greeted Minerva McGonagall’s return with delight. Minerva threw herself into her work, proving herself a strict but inspirational teacher. If she kept letters from Dougal McGregor locked in a box under her bed, this was (she told herself firmly) better than keeping her wand locked there. Nevertheless, it was a shock to learn from the oblivious Isobel (in the middle of a chatty letter of local news) that Dougal had married the daughter of another farmer.

Albus Dumbledore discovered Minerva in tears in her classroom late that evening, and she confessed the whole story to him. Albus Dumbledore offered both comfort and wisdom, and told Minerva some of his own family history, previously unknown to her. The confidences exchanged that night between two intensely private and reserved characters were to form the basis of a lasting mutual esteem and friendship.

Marriage

Through all her early years at Hogwarts, Minerva McGonagall remained on terms of friendship with her old boss at the Ministry, Elphinstone Urquart. He came to visit her while on holiday to Scotland, and to her great surprise and embarrassment, proposed marriage in Madam Puddifoot’s teashop. Still in love with Dougal McGregor, Minerva turned him down.

Elphinstone, however, had never ceased to love her, nor to propose every now and then, even though she continued to refuse him. The death of Dougal McGregor, however, although traumatic, seemed to free Minerva. Shortly after Voldemort’s first defeat, Elphinstone, now white-haired, proposed again during a summertime stroll around the lake in the Hogwarts grounds. This time Minerva accepted. Elphinstone, now retired, was beside himself with joy, and purchased a small cottage in Hogsmeade for the pair of them, whence Minerva could travel easily to work every day.

Known to successive generations of students as ‘Professor McGonagall’, Minerva – always something of a feminist – announced that she would be keeping her own name upon marriage. Traditionalists sniffed – why was Minerva refusing to accept a pure-blood name, and keeping that of her Muggle father?

The marriage (cut tragically short, though it was destined to be) was a very happy one. Though they had no children of their own, Minerva’s nieces and nephews (children of her brothers Malcolm and Robert) were frequent visitors to their home. This was a period of great fulfillment for Minerva.

The accidental death of Elphinstone from a Venomous Tentacula bite, three years into their marriage, was an enormous sorrow to all who knew the couple. Minerva could not bear to remain alone in their cottage, but packed her things after Elphinstone’s funeral and returned to her sparse stone-floored bedroom in Hogwarts Castle, accessible through a concealed door in the wall of her first-floor study. Always a very brave and private person, she poured all her energies into her work, and few people – excepting perhaps Albus Dumbledore – ever realised how much she suffered.

J.K. Rowling’s thoughts

Minerva was the Roman goddess of warriors and wisdom. William McGonagall is celebrated as the worst poet in British history. There was something irresistible to me about the name, and the idea that such a brilliant woman might be a distant relative of the buffoonish McGonagall.

A small sample of his work will give a flavour of its unintentional comedic value. The following was written as part of a poem commemorating a Victorian railway disaster:

Beautiful Railway Bridge of the Silv’ry Tay!

Alas! I am very sorry to say

That ninety lives have been taken away

On the last Sabbath day of 1879,

Which will be remember’d for a very long time.

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Toads

non fiction pottermore

Index ID: TOAPM — Publication date: August 15th, 2011

New from J.K. Rowling

Of the three approved animals permitted to students as pets at Hogwarts, the toad is, and has been for many years now, by far the least popular. Centuries ago, in blood-thirstier times, when young witches and wizards were expected to personally pop out the newt eyes they were using in potions, they routinely brought boxes of toads to school for use in potions and in other charms. Over time, as the Ministry of Magic introduced legislation regarding animal cruelty (sub-sections 13-29 inclusive relate to potion ingredients and their production) such practices were gradually outlawed. The toad, never much appreciated for its own personal appeal, gradually appeared (alive) less and less frequently at Hogwarts, unless hopping and swimming wild in the grounds.

By the time Harry arrived at Hogwarts, possession of a pet toad conveyed neither cool nor status; indeed, it was something of an embarrassment. Trevor, Neville’s toad, had nothing to commend him except a propensity for getting lost, and when he finally slipped off to join his brethren in the Hogwarts lake, both owner and pet felt a sense of relief.”

J. K. Rowling’s thoughts

The toad has a long association with witchcraft, and was often believed to be a familiar. It occupies a special place in old folk cures, particularly (perhaps on the homeopathic principle of curing like with like) in the curing of warts. In the Dark Ages, a British toad could think itself lucky if it died of natural causes, because it was in constant danger of being boiled, powdered, skinned or tied around a sick human’s neck in a bag.

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Platform Nine and Three-Quarters

non fiction pottermore

Index ID: P934PM — Publication date: August 15th, 2011

In choosing the number of the concealed platform that would take young witches and wizards to boarding school, I decided that it would have to be a number between those of the Muggle platforms – therefore, it was clearly a fraction. This raised the interesting question of how many other fractional platforms lay between the whole-numbered platforms at King’s Cross, and I concluded that were probably quite a few. Although these are never mentioned in the book, I like to think that it is possible to take a version of the Orient Express off to wizard-only villages in continental Europe (try platform seven and a half), and that other platforms may be opened on an as-required-basis, for instance for large, one-off events such as Celestina Warbeck concerts (see your ticket for details).

“The number nine and three-quarters presented itself without much conscious thought, and I liked it so much that I took it at once. It is the ‘three-quarters’ that makes it, of course.”

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The Hogwarts Express

pottermore

Index ID: HEPM — Publication date: August 15th, 2011

As we know from early historical accounts, and from the evidence of early woodcuts and engravings, Hogwarts students used to arrive at school in any manner that caught their fancy. Some rode broomsticks (a difficult feat when carrying trunks and pets); others commandeered enchanted carts and, later, carriages; some attempted to Apparate (often with disastrous effects, as the castle and grounds have always been protected with Anti-Apparition Charms), others rode a variety of magical creatures.

In spite of the accidents attendant on these various modes of magical transport, not to mention the annual Muggle sightings of vast numbers of airborne wizards travelling northwards, it remained the responsibility of parents to convey their children to school, right up until the imposition of the International Statute of Secrecy in 1692. At this point, it became a matter of urgency to find some more discreet method of transporting hundreds of wizarding children from all over Britain to their secret school in the Highlands of Scotland.

Portkeys were therefore arranged at collecting points all over Britain. The logistics caused problems from the start. Up to a third of students would fail to arrive every year, having missed their time slot, or been unable to find the unobtrusive enchanted object that would transport them to their school. There was also the unfortunate fact that many children were (and are) ‘Portkey-sick’, and the hospital wing was frequently full to bursting for the first few days of every year, while susceptible students overcame their hysterics and nausea.

While admitting that Portkeys were not an ideal solution to the problem of school transportation, the Ministry of Magic failed to find an acceptable alternative. A return to the unregulated travel of the past was impossible, and yet a more secure route into the school (for instance, permitting a fireplace that might be officially entered by Floo powder) was strongly resisted by successive Headmasters, who did not wish the security of the castle to be breached.

A daring and controversial solution to the thorny problem was finally suggested by Minister for Magic Ottaline Gambol, who was much intrigued by Muggle inventions and saw the potential in trains. Where exactly the Hogwarts Express came from has never been conclusively proven, although it is a fact that there are secret records at the Ministry of Magic detailing a mass operation involving one hundred and sixty-seven Memory Charms and the largest ever mass Concealment Charm performed in Britain. The morning after these alleged crimes, a gleaming scarlet steam engine and carriages astounded the villagers of Hogsmeade (who had also not realised they had a railway station), while several bemused Muggle railway workers down in Crewe spent the rest of the year grappling with the uncomfortable feeling that they had mislaid something important.

The Hogwarts Express underwent several magical modifications before the Ministry approved it for school use. Many pure-blood families were outraged at the idea of their children using Muggle transport, which they claimed was unsafe, insanitary and demeaning; however, as the Ministry decreed that students either rode the train or did not attend school, the objections were swiftly silenced.

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Wand Cores

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Index ID: WCPM — Publication date: August 15th, 2011

The following description of the powers and properties of the three main wand cores used by Mr Garrick Ollivander are taken from his notes.

Early in my career, as I watched my wandmaker father wrestling with substandard wand core materials such as kelpie hair, I conceived the ambition to discover the finest cores and to work only with those when my time came to take over the family business. This I have done. After much experimentation and research, I concluded that only three substances produce wands of the quality to which I am happy to give the illustrious name of Ollivander: unicorn hair, dragon heartstring and phoenix feather. Each of these costly and rare materials has its own distinct properties. The following represents a short summary of my researches into each of the three Supreme Cores. Readers should bear in mind that each wand is the composite of its wood, its core and the experience and nature of its owner; that tendencies of each may counterbalance or outweigh the other; so this can only be a very general overview of an immensely complex subject.

Unicorn

Unicorn hair generally produces the most consistent magic, and is least subject to fluctuations and blockages. Wands with unicorn cores are generally the most difficult to turn to the Dark Arts. They are the most faithful of all wands, and usually remain strongly attached to their first owner, irrespective of whether he or she was an accomplished witch or wizard.

Minor disadvantages of unicorn hair are that they do not make the most powerful wands (although the wand wood may compensate) and that they are prone to melancholy if seriously mishandled, meaning that the hair may ‘die’ and need replacing.

Dragon

As a rule, dragon heartstrings produce wands with the most power, and which are capable of the most flamboyant spells. Dragon wands tend to learn more quickly than other types. While they can change allegiance if won from their original master, they always bond strongly with the current owner.

The dragon wand tends to be easiest to turn to the Dark Arts, though it will not incline that way of its accord. It is also the most prone of the three cores to accidents, being somewhat temperamental.

Phoenix

This is the rarest core type. Phoenix feathers are capable of the greatest range of magic, though they may take longer than either unicorn or dragon cores to reveal this. They show the most initiative, sometimes acting of their accord, a quality that many witches and wizards dislike.

Phoenix feather wands are always the pickiest when it comes to potential owners, for the creature from which they are taken is one of the most independent and detached in the world. These wands are the hardest to tame and to personalise, and their allegiance is usually hard won.

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Wand Lengths and Flexibility

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Index ID: WLFPM — Publication date: August 15th, 2011

The following notes on wand length and flexibility are taken from notes on the subject by Mr Garrick Ollivander, wandmaker.

Many wandmakers simply match the wand length to the size of the witch or wizard who will use it, but this is a crude measure, and fails to take into account many other, important considerations. In my experience, longer wands might suit taller wizards, but they tend to be drawn to bigger personalities, and those of a more spacious and dramatic style of magic. Neater wands favour more elegant and refined spell-casting. However, no single aspect of wand composition should be considered in isolation of all the others, and the type of wood, the core and the flexibility may either counterbalance or enhance the attributes of the wand’s length.

Most wands will be in the range of between nine and fourteen inches. I have sold extremely short wands (eight inches and under) and very long wands (over fifteen inches), these are exceptionally rare. In the latter case, a physical peculiarity demanded the excessive wand length. However, abnormally short wands usually select those in whose character something is lacking, rather than because they are physically undersized (many small witches and wizards are chosen by longer wands).

Wand flexibility or rigidity denotes the degree of adaptability and willingness to change possessed by the wand-and-owner pair – although, again, this factor ought not to be considered separately from the wand wood, core and length, nor of the owner’s life experience and style of magic, all of which will combine to make the wand in question unique.

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