The J.K. Rowling Index

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The Fringe Benefits of Failure, and the Importance of Imagination – Commencement Speech, Harvard University

Index ID: HRDVSP — Publication date: June 5th, 2008

President Faust, members of the Harvard Corporation and the Board of Overseers, members of the faculty, proud parents, and, above all, graduates.

The first thing I would like to say is ‘thank you.’ Not only has Harvard given me an extraordinary honour, but the weeks of fear and nausea I have endured at the thought of giving this commencement address have made me lose weight. A win-win situation! Now all I have to do is take deep breaths, squint at the red banners and convince myself that I am at the world’s largest Gryffindor reunion.

Delivering a commencement address is a great responsibility; or so I thought until I cast my mind back to my own graduation. The commencement speaker that day was the distinguished British philosopher Baroness Mary Warnock. Reflecting on her speech has helped me enormously in writing this one, because it turns out that I can’t remember a single word she said. This liberating discovery enables me to proceed without any fear that I might inadvertently influence you to abandon promising careers in business, the law or politics for the giddy delights of becoming a gay wizard.

You see? If all you remember in years to come is the ‘gay wizard’ joke, I’ve come out ahead of Baroness Mary Warnock. Achievable goals: the first step to self improvement.

Actually, I have wracked my mind and heart for what I ought to say to you today. I have asked myself what I wish I had known at my own graduation, and what important lessons I have learned in the 21 years that have expired between that day and this.

I have come up with two answers. On this wonderful day when we are gathered together to celebrate your academic success, I have decided to talk to you about the benefits of failure. And as you stand on the threshold of what is sometimes called ‘real life’, I want to extol the crucial importance of imagination.

These may seem quixotic or paradoxical choices, but please bear with me.

Looking back at the 21-year-old that I was at graduation, is a slightly uncomfortable experience for the 42-year-old that she has become. Half my lifetime ago, I was striking an uneasy balance between the ambition I had for myself, and what those closest to me expected of me.

I was convinced that the only thing I wanted to do, ever, was to write novels. However, my parents, both of whom came from impoverished backgrounds and neither of whom had been to college, took the view that my overactive imagination was an amusing personal quirk that would never pay a mortgage, or secure a pension. I know that the irony strikes with the force of a cartoon anvil, now.

So they hoped that I would take a vocational degree; I wanted to study English Literature. A compromise was reached that in retrospect satisfied nobody, and I went up to study Modern Languages. Hardly had my parents’ car rounded the corner at the end of the road than I ditched German and scuttled off down the Classics corridor.

I cannot remember telling my parents that I was studying Classics; they might well have found out for the first time on graduation day. Of all the subjects on this planet, I think they would have been hard put to name one less useful than Greek mythology when it came to securing the keys to an executive bathroom.

I would like to make it clear, in parenthesis, that I do not blame my parents for their point of view. There is an expiry date on blaming your parents for steering you in the wrong direction; the moment you are old enough to take the wheel, responsibility lies with you. What is more, I cannot criticise my parents for hoping that I would never experience poverty. They had been poor themselves, and I have since been poor, and I quite agree with them that it is not an ennobling experience. Poverty entails fear, and stress, and sometimes depression; it means a thousand petty humiliations and hardships. Climbing out of poverty by your own efforts, that is indeed something on which to pride yourself, but poverty itself is romanticised only by fools.

What I feared most for myself at your age was not poverty, but failure.

At your age, in spite of a distinct lack of motivation at university, where I had spent far too long in the coffee bar writing stories, and far too little time at lectures, I had a knack for passing examinations, and that, for years, had been the measure of success in my life and that of my peers.

I am not dull enough to suppose that because you are young, gifted and well-educated, you have never known hardship or heartbreak. Talent and intelligence never yet inoculated anyone against the caprice of the Fates, and I do not for a moment suppose that everyone here has enjoyed an existence of unruffled privilege and contentment.

However, the fact that you are graduating from Harvard suggests that you are not very well-acquainted with failure. You might be driven by a fear of failure quite as much as a desire for success. Indeed, your conception of failure might not be too far from the average person’s idea of success, so high have you already flown.

Ultimately, we all have to decide for ourselves what constitutes failure, but the world is quite eager to give you a set of criteria if you let it. So I think it fair to say that by any conventional measure, a mere seven years after my graduation day, I had failed on an epic scale. An exceptionally short-lived marriage had imploded, and I was jobless, a lone parent, and as poor as it is possible to be in modern Britain, without being homeless. The fears that my parents had had for me, and that I had had for myself, had both come to pass, and by every usual standard, I was the biggest failure I knew.

Now, I am not going to stand here and tell you that failure is fun. That period of my life was a dark one, and I had no idea that there was going to be what the press has since represented as a kind of fairy tale resolution. I had no idea then how far the tunnel extended, and for a long time, any light at the end of it was a hope rather than a reality.

So why do I talk about the benefits of failure? Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena I believed I truly belonged. I was set free, because my greatest fear had been realised, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea. And so rock bottom became the solid foundation on which I rebuilt my life.

You might never fail on the scale I did, but some failure in life is inevitable. It is impossible to live without failing at something, unless you live so cautiously that you might as well not have lived at all – in which case, you fail by default.

Failure gave me an inner security that I had never attained by passing examinations. Failure taught me things about myself that I could have learned no other way. I discovered that I had a strong will, and more discipline than I had suspected; I also found out that I had friends whose value was truly above the price of rubies.

The knowledge that you have emerged wiser and stronger from setbacks means that you are, ever after, secure in your ability to survive. You will never truly know yourself, or the strength of your relationships, until both have been tested by adversity. Such knowledge is a true gift, for all that it is painfully won, and it has been worth more than any qualification I ever earned.

So given a Time Turner, I would tell my 21-year-old self that personal happiness lies in knowing that life is not a check-list of acquisition or achievement. Your qualifications, your CV, are not your life, though you will meet many people of my age and older who confuse the two. Life is difficult, and complicated, and beyond anyone’s total control, and the humility to know that will enable you to survive its vicissitudes.

Now you might think that I chose my second theme, the importance of imagination, because of the part it played in rebuilding my life, but that is not wholly so. Though I personally will defend the value of bedtime stories to my last gasp, I have learned to value imagination in a much broader sense. Imagination is not only the uniquely human capacity to envision that which is not, and therefore the fount of all invention and innovation. In its arguably most transformative and revelatory capacity, it is the power that enables us to empathise with humans whose experiences we have never shared.

One of the greatest formative experiences of my life preceded Harry Potter, though it informed much of what I subsequently wrote in those books. This revelation came in the form of one of my earliest day jobs. Though I was sloping off to write stories during my lunch hours, I paid the rent in my early 20s by working at the African research department at Amnesty International’s headquarters in London.

There in my little office I read hastily scribbled letters smuggled out of totalitarian regimes by men and women who were risking imprisonment to inform the outside world of what was happening to them. I saw photographs of those who had disappeared without trace, sent to Amnesty by their desperate families and friends. I read the testimony of torture victims and saw pictures of their injuries. I opened handwritten, eye-witness accounts of summary trials and executions, of kidnappings and rapes.

Many of my co-workers were ex-political prisoners, people who had been displaced from their homes, or fled into exile, because they had the temerity to speak against their governments. Visitors to our offices included those who had come to give information, or to try and find out what had happened to those they had left behind.

I shall never forget the African torture victim, a young man no older than I was at the time, who had become mentally ill after all he had endured in his homeland. He trembled uncontrollably as he spoke into a video camera about the brutality inflicted upon him. He was a foot taller than I was, and seemed as fragile as a child. I was given the job of escorting him back to the Underground Station afterwards, and this man whose life had been shattered by cruelty took my hand with exquisite courtesy, and wished me future happiness.

And as long as I live I shall remember walking along an empty corridor and suddenly hearing, from behind a closed door, a scream of pain and horror such as I have never heard since. The door opened, and the researcher poked out her head and told me to run and make a hot drink for the young man sitting with her. She had just had to give him the news that in retaliation for his own outspokenness against his country’s regime, his mother had been seized and executed.

Every day of my working week in my early 20s I was reminded how incredibly fortunate I was, to live in a country with a democratically elected government, where legal representation and a public trial were the rights of everyone.

Every day, I saw more evidence about the evils humankind will inflict on their fellow humans, to gain or maintain power. I began to have nightmares, literal nightmares, about some of the things I saw, heard, and read.

And yet I also learned more about human goodness at Amnesty International than I had ever known before.

Amnesty mobilises thousands of people who have never been tortured or imprisoned for their beliefs to act on behalf of those who have. The power of human empathy, leading to collective action, saves lives, and frees prisoners. Ordinary people, whose personal well-being and security are assured, join together in huge numbers to save people they do not know, and will never meet. My small participation in that process was one of the most humbling and inspiring experiences of my life.

Unlike any other creature on this planet, humans can learn and understand, without having experienced. They can think themselves into other people’s places.

Of course, this is a power, like my brand of fictional magic, that is morally neutral. One might use such an ability to manipulate, or control, just as much as to understand or sympathise.

And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or to peer inside cages; they can close their minds and hearts to any suffering that does not touch them personally; they can refuse to know.

I might be tempted to envy people who can live that way, except that I do not think they have any fewer nightmares than I do. Choosing to live in narrow spaces leads to a form of mental agoraphobia, and that brings its own terrors. I think the wilfully unimaginative see more monsters. They are often more afraid.

What is more, those who choose not to empathise enable real monsters. For without ever committing an act of outright evil ourselves, we collude with it, through our own apathy.

One of the many things I learned at the end of that Classics corridor down which I ventured at the age of 18, in search of something I could not then define, was this, written by the Greek author Plutarch: What we achieve inwardly will change outer reality.

That is an astonishing statement and yet proven a thousand times every day of our lives. It expresses, in part, our inescapable connection with the outside world, the fact that we touch other people’s lives simply by existing.

But how much more are you, Harvard graduates of 2008, likely to touch other people’s lives? Your intelligence, your capacity for hard work, the education you have earned and received, give you unique status, and unique responsibilities. Even your nationality sets you apart. The great majority of you belong to the world’s only remaining superpower. The way you vote, the way you live, the way you protest, the pressure you bring to bear on your government, has an impact way beyond your borders. That is your privilege, and your burden.

If you choose to use your status and influence to raise your voice on behalf of those who have no voice; if you choose to identify not only with the powerful, but with the powerless; if you retain the ability to imagine yourself into the lives of those who do not have your advantages, then it will not only be your proud families who celebrate your existence, but thousands and millions of people whose reality you have helped change. We do not need magic to change the world, we carry all the power we need inside ourselves already: we have the power to imagine better.

I am nearly finished. I have one last hope for you, which is something that I already had at 21. The friends with whom I sat on graduation day have been my friends for life. They are my children’s godparents, the people to whom I’ve been able to turn in times of trouble, people who have been kind enough not to sue me when I took their names for Death Eaters. At our graduation we were bound by enormous affection, by our shared experience of a time that could never come again, and, of course, by the knowledge that we held certain photographic evidence that would be exceptionally valuable if any of us ran for Prime Minister.

So today, I wish you nothing better than similar friendships. And tomorrow, I hope that even if you remember not a single word of mine, you remember those of Seneca, another of those old Romans I met when I fled down the Classics corridor, in retreat from career ladders, in search of ancient wisdom:

As is a tale, so is life: not how long it is, but how good it is, is what matters.

I wish you all very good lives.

Thank you very much.


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David Murray’s Right to Privacy

Index ID: DMRTP — Publication date: May 7th, 2008

Note: Statement written by J.K. Rowling and her husband Neil Murray after winning a case about their son's right to privacy. Thestatement released by their lawyers, Schillings. More context: https://www.theguardian.com/media/2008/may/08/privacy.medialaw and https://express-press-release.net/49/Schillings%20win%20privacy%20appeal%20for%20J%20K%20Rowling%27s%20son.php

We embarked on this lawsuit, not because we were seeking special privileges for our children, but because we wanted them to grow up like their friends, free from unwarranted intrusions into their privacy. We understand and accept that with the success of Harry Potter there will be a measure of legitimate media and public interest in Jo’s professional activities and appearances. However, we have striven to give our children a normal family life outside the media spotlight. We are immensely grateful to the Court for giving our children protection from covert, unauthorised photography; this ruling will make an immediate and material difference to their lives.


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The Tales of Beedle the Bard

Index ID: TTBTB — Publication date: December 13th, 2007

Only the beginning of this text can be displayed here for research purposes. I apologize!

The Tales of Beedle the Bard is a collection of stories written for young wizards and witches. They have been popular bedtime reading for centuries, with the result that the Hopping Pot and the Fountain of Fair Fortune are as familiar to many of the students at Hogwarts as Cinderella and Sleeping Beauty are to Muggle (non-magical) children.


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Foreword: The Tales of Beedle the Bard Auction

Index ID: FWBBA — Publication date: November 16th, 2007

Note: Foreword included in the Sotheby's catalogues for The Tales of Beedle the Bard manuscript auction.

When I conceived the idea of writing The Tales of Beedle the Bard in full, I was intrigued to discover how wizarding fairy-tales would differ from those told to muggle children. In the latter, witches and wizards are relegated to walk-on, if pivotal, roles; within The Tales of Beedle the Bard, they themselves are the heroes and heroines.

You might think that magic would solve any fairy-tale dilemma, but it transpires that there is always somebody who can cast a more powerful curse, or a creature who will not yield to one’s best enchantments. Then, the intractable and eternal human predicaments of love, death and the pursuit of happiness are not necessarily resolved any more easily by the possessors of wands.

So these wizarding fairy-tales have much in common with their muggle counterparts: they exist to express human hopes and fears, and to teach a lesson or two. There are, however, a few important differences: witches tend to save themselves, rather than waiting around for a man to do it, and young wizards are warned, not against the dangers and temptations of the outside world, but of their own magical powers.

The Tales of Beedle the Bard is really a distillation of the themes found in the Harry Potter books, and writing it has been the most wonderful way to say goodbye to a world I loved and lived in for seventeen years.


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Cover quote: The Mitfords. Letters between six sisters.

Index ID: CQMITF — Publication date: September 3rd, 2007

Note: Cover quote for "The Mitfords. Letters between six sisters" by Charlotte Mosley.

The story of the extraordinary Mitford sisters has never been told as well as they tell it themselves.


The following images are related to this writing


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Foreword: Reading Round Edinburgh: A Guide to Children’s Books of the City

Index ID: FWEDIN — Publication date: August, 2007

Note: Foreword for the book "Reading Round Edinburgh: A Guide to Children’s Books of the City" by Lindsey Fraser and Kathryn Ross, published by Floris Books.
Only the beginning of this text can be displayed here for research purposes. I apologize!

All writers dread the question “where do you get your ideas from?”.


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Harry Potter and the Deathly Hallows

Index ID: HPDH — Publication date: July 21st, 2007

Only the beginning of this text can be displayed here for research purposes. I apologize!

The two men appeared out of nowhere, a few yards apart in the narrow, moonlit lane. For a second they stood quite still, wands directed at each other’s chests; then, recognising each other, they stowed their wands beneath their cloaks and started walking briskly in the same direction.


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Acknowledgements

Index ID: ACK — Publication date: July 20th, 2007

Note: Published on her official website before the publication of Harry Potter and the Deathly Hallows.

Within hours you will know what happens to Harry, Ron, Hermione and the rest in their final adventure. All the secrets I have been carrying around for so long will be yours, too, and those who guessed correctly will be vindicated, and those who guessed wrongly will not, I hope, be too disappointed! As for me, I feel a heady mixture of excitement, nerves and relief. ‘Deathly Hallows’ remains my favourite of the series, even after several re-reads; I cannot wait to share it with the readers who have stuck with me through six previous books.

There is only one thing left to do: acknowledgements! Here are the people who have joined me at various stages of the seventeen year journey I have taken with Harry, who (if you laid their brains end to end) could tell a story much stranger than fiction, of how weird and wonderful the world of Harry Potter became as it expanded way beyond all of our wildest dreams.

I am, firstly, deeply indebted to my agent, Christopher Little, who has been with me from the beginning and who took a chance on an unknown author whom he sweetly advised not to give up the day job, before working tirelessly to make sure that I never needed to teach French irregular verbs again. I bless the day his name caught my eye in the Writers’ and Artists’ Year Book; thank God he wasn’t christened Vernon. Everyone at his (now considerably expanded) agency deserves my deepest thanks, but in particular Emma Schlesinger, who has become an irreplaceable walking encyclopaedia of Potterania, and Neil Blair, who has fought so many battles on Harry’s and my behalf, and will, hopefully, get his weekends back now.
My eternal gratitude goes to Barry Cunningham, the editor at Bloomsbury Children’s books who accepted Philosopher’s Stone for publication, but who did not remain at the company long enough to garner all the plaudits that were rightfully his. I had been turned down by a fairly long list of publishers before Barry discerned some merit in Harry; he is a great editor and I will never forget his patience with a writer who was simultaneously struggling to be a teacher and a single mother.

Barry was succeeded by Emma Matthewson, who has been my editor and friend for the subsequent six Harrys, whose arbitration I have awaited with bated breath every time I delivered a manuscript, and without whose calmness, honesty and sound judgement I would have been lost. The editing of ‘Deathly Hallows’ was, in particular, hugely emotional for me, and I cannot think of anyone I would rather have shared it with.

Everyone at Bloomsbury Children’s Books has been fantastic to me and worked so hard for Harry, but Rosamund de la Hey and Sarah Odenina were with me from the start and have been staunch friends throughout. Nigel Newton, Chief Executive of Bloomsbury, has been hugely supportive from the very beginning, long before Harry began to sell in vast numbers, because his children were fans of the books; he has been a constant source of enthusiasm and generosity.

A turning point in my life was the day I spoke to Arthur Levine for the first time. He was the American editor who had just out-bid three other publishers for the first Harry book. I felt terrified as I picked up the telephone to speak to him; the first thing he said was, ‘are you terrified?’ I think I loved him from that moment. He, too, has become a real friend and confidant, and the memories I have of seeing San Francisco with Arthur on my first American tour are among my happiest of the whole Potter experience.

The other person at Scholastic whom I must thank is the preternaturally efficient and completely lovely Kris Moran, who has shepherded me through two American tours, and sundry other press events, and whom I adore for her loyalty, her ability to locate coffee in an apparently moisture-free environment and her corner-of-the-mouth-while-opening-books-for-signing quips.

I also want to thank booksellers everywhere, but particularly in the UK, because they were crucial to Harry’s initial success, which was built, not on clever marketing, but on word-of-mouth recommendations by the highly knowledgeable people who staff our bookshops. Harry has become hard work for booksellers in later years, with embargoes and crowds making the whole business much more fraught, and much less intimate, than it used to be (though many still throw themselves into the spirit of midnight openings); I am deeply grateful.

Harry Potter is now published in 64 different languages. I am constantly mindful of the fact that so many people are involved in the production of the books across the globe, from China to Canada and most places in between. The arrival of foreign editions is always a real thrill, and I am so grateful to all the people involved, some of whom I have met, but most of whom I have not. I would like to send a little cyber-wave and my warmest thanks to Christine, Yuko, Allan, all the Klauses, Pedro and Sigrid. To list everybody would take up twelve pages, so please forgive me…

Dotti Irving, Mark Hutchinson, Rebecca Salt and Nicky Stonehill at Colman Getty PR have made my life so much easier it makes me wince to remember how it was BCG. Bizarre Potter press stories will fade out of our lives now, and we’ll probably miss them once they’re gone…

Here in my office at home are Christine and Angela, who have dealt expertly and sensitively with my Harry-mail for years, making sure I see the letters I ought to, bringing calm where once there was chaos. I am so glad I found both of them, and that they are still hanging in there.

It is hard to know what to say about my indefatigable, invaluable, indispensable PA, Fiddy, whose job has swollen beyond recognition since I first had lunch with her and told her it would probably fill an afternoon a week. She has stood valiantly between me and a tidal wave of demands for years now, enabling me to write books and look after my children, and barely a day goes by when I don’t thank God I have her.

And so to my family. For a long time, my sister Di was the only one who really saw what it was like at the eye of the storm, and on at least one occasion she picked me up, dusted me down, and talked me back to sanity. She understood that, for all the incredible benefits Harry brought me, there came a time when the pressure and the attention I had not sought became a little overwhelming, and she was the one who saw me through that period, and enabled me to find some perspective.

No writer ever had a better spouse than my husband. I still cannot believe how lucky I am to have married Neil; I don’t think writers are supposed to be this happy. His support has made the writing of the sixth and seventh books, in particular, a complete joy.

As for my children, my two youngest do not really know what Harry Potter is all about yet. Looking forward to sharing the books with them when they are old enough keeps me from feeling too sad at having finished.

The very last person to be thanked is the most important person of all, the one to whom I owe the greatest debt of gratitude. I wrote the final draft of the first three chapters of ‘Philosopher’s Stone’ while pregnant with my eldest daughter, Jessica. She has never known what it is like to live without Harry Potter; even before he was published, he was a presence in our house as I typed away frantically in the evenings or broke off conversations with her to scribble on bits of paper. Jessica has never once complained about the attention I devoted to her fictional brother, never reproached me for the fact that Harry Potter has sometimes been a bane rather than a boon in her life. It has not always been easy to be J K Rowling’s daughter, yet if I had decided to stop before the seventh book it would have been Jessica’s disappointment that I would have feared the most. The fact that ‘Deathly Hallows’ will sit beside Jessica’s bed until it becomes dog-eared and falls apart means more to me than anything else, more than the huge print run, more than all the publicity in the world. So thank you, Decca. (And tidy your room. It’s disgusting. Mum X)


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The first It Girl

Index ID: ITGRL — Publication date: November 5th, 2006

Note: Published in The Sunday Telegraph.

Jessica Mitford has been my heroine since I was 14 years old, when I overheard my formidable great-aunt discussing how Mitford had run away at the age of 19 to fight with the Reds in the Spanish Civil War: ‘And she charged a camera to her poor father’s account to take with her!’ It was the camera that captivated me, and I asked for further details. My great-aunt, who taught classics and approved of a thirst for knowledge, even of a questionable kind, produced a very old copy of Hons and Rebels, the first volume of Jessica Mitford’s autobiography.

Decca: The Letters of Jessica Mitford gives, as letters usually do, a much fuller picture of the writer than either of her own autobiographies, and I finished reading feeling even fonder and more admiring of her than before (it would have been what Decca calls ‘rather narst in a way’ if I had not, given that I named my first daughter after her).

The letters span a life that was remarkable by any standards – the teenage aristocrat who fled England, eventually becoming a Communist in America; the runaway wife turned war widow who became a civil rights campaigner, campaigning journalist and, finally, author of the huge bestseller The American Way of Death, an exposé of the corrupt practices of the funeral industry. And all this was quite apart from her membership of that band of prototype ‘It Girls’, the Mitford Sisters.

Decca was characteristically amusing on what she called ‘The Mitford Industry’. After the success of the US bestseller The I Hate Cats Book, she wrote, ‘”The I Hate Mitfords Book” might go well here – followed as in the US by “100 Ways to Kill a Mitford”‘. To Katharine (‘Kay’) Graham, publisher of the Washington Post: ‘The Mitford Girls [the musical] folded in London, so that’s ONE chore you can avoid. (Is said to be possibly opening in GERMANY, serves those wretched Krauts right if so.)’


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Foreword: Moving Britain Forward. Gordon Brown Selected Speeches.

Index ID: FWGBSP — Publication date: September 25th, 2006

Note: Foreword for the book "Ending Child Poverty in Moving Britain Forward. Gordon Brown Speeches." Included also in the book "
Only the beginning of this text can be displayed here for research purposes. I apologize!

I met Gordon Brown for the first time in 2000, at a reception of the National…


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